v2 for Macintosh OS X - Hitsquad Most software is compatible with both Mac and Windows computers, but check to make sure. The Dry/Wet parameter allows one to mix both the dry and wet signals to taste, which is incredibly useful for creating harmonies or interesting pitched delays layered with the original, dry signal.# url below ▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸ ››› Elastique Pitch ››› Elastique Pitch ▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸▸ġ.2 - is the real time. Delay can be synced to the host or timed to mere milliseconds, and Feedback alters the extent to which the delay repeats (I.e., its feedback loop). The Input Freeze option offers an interesting effect: it attempts to freeze/warp the incoming audio in time, creating wild, spacey sounding effects, as Elastique Pitch 2 catches portions of pitch signal and repeating them.

Especially with respect to shifting the human voice, I was able to radically decrease distortion, artifacts, and unwanted tonalities by tuning this slider to taste. I found the Voicing parameter (bottom-center) to be highly useful in tailoring the plugin’s processing to the source material. Three different views are now available: Simple, a stripped-down interface with minimal pitch-shifting controls Normal, adding the XY-pad with Timbre and Pitch and Advanced, boasting additional features including the Voicing slider, Input Freeze, Delay, Feedback, and Dry/Wet. MIDI control is available for this plugin as well, making it all the more usable in performance situations (note however that the plugin’s latency at 48kHz is 150ms). Presets are available for various film conversion uses (e.g., 25.00 -> 24.00 fps). You can change the value scale to a percentage by clicking the musical note icon next to the value box (yielding a range of 50% to 200%). One can adjust these values by moving the node around the XY-pad (after Pitch and Timbre are unlinked in the bottom left), by dragging the sliders on the bottom and right side of the XY-pad, or by typing in the value manually.

Pitch and formant shifting range ±one octave (manipulating formant independently of pitch can potentially yield more natural sounding results, and help one avoid the “chipmunk effect” when pitching vocals). The x-axis, Timbre, represents formant shift, whereas the y-axis, Pitch, represents the relative pitch shift processing that is occurring (Pitch and Timbre are linked by default).

Elastique pitch free